The Graduate: 40th Anniversary Edition (MGM) Fifteen years after its last home-video commemorative edition (extras from which appear here), The Graduate once more gets the bonus-laden makeover — and if ever a movie deserved its kudos, it’s Mike Nichols’ masterwork. That said, the movie is its own bonus; not since…
Huffing and puffing to resuscitate a long-moribund genre, James Mangold manages to imbue a fifty-year-old Western with the semblance of life. Mangold’s remake of 3:10 to Yuma isn’t as startling a resurrection job as his Johnny Cash biopic, but it does send a saddlebag full of Western tropes skittering into…
There have already been critical rumblings about the extreme violence in Shoot ¹Em Up, but it’s hard to get too worked up about a film whose very title announces its maker’s intent. You just can’t stay mad at a picture that early on has the hero helping a woman give…
If you had a ten-question limit, what are some of the queries you would posit to the holiest man on the planet? (And no, we’re not talking about the pope.) Filmmaker and explorer Rick Ray had the opportunity to meet with the Dalai Lama, a Tibetan Buddhist spiritual teacher who…
Clyfford Still Unveiled. A master and pioneer of mid-twentieth-century abstract expressionism, painter Clyfford Still was something of an eccentric in the artist-as-egomaniac stripe. His antisocial behavior led to a situation where 94 percent of his artworks remained together after he died — a staggeringly complete chronicle of his oeuvre that…
The Office: Season Three (Universal) After a shaky first season and a better-with-every-episode second, The Office proved itself one of the most consistent comedies in the history of the medium. The show has long since escaped the shadow of its BBC forebear and boasts an ensemble from which you could…
Sundance signals, for better or worse, the state of American independent filmmaking. Cannes keeps faith, for those who still believe, with the cinema d’auteur. And Toronto? The largest and most important film festival in North America seems to do nearly as many things as there are movies to see —…
1. Balls of Fury is a movie about: A) A former table-tennis prodigy (Dan Fogler as Randy Daytona) enlisted by the FBI to infiltrate the underground Ping-Pong tournament of a legendary Chinese criminal (Christopher Walken). B) Suppository jokes. C) Little worth discussing and even less worth seeing. D) All of…
Leonardo DiCaprio wants you to know that we are in serious trouble. No amount of artful chin stubble, it seems, will reverse the depletion of fossil fuels or help to slow population growth. Not even three Oscar nominations will save you; without an actual statuette, there’s nothing to wedge under…
It is as you’ve always suspected: Rob Zombie’s house is way cooler than yours. For one thing, the punk/metal god turned filmmaker has a twelve-foot stuffed polar bear in his living room. (Zombie to dumbstruck interviewer: “I know, right? How fuckin’ big is that bear?”) The bear presides over dozens…
By late summer, when director James Wan’s Death Sentence is playing side-by-side with Neil Jordan’s The Brave One at many of our nation’s multiplexes, movie-goers will be forgiven for thinking that they’ve traveled through a time warp and landed in the late 1970s, when first-class cinemas and seedy grindhouses alike…
The American Landscape and Carny. Rule Gallery has typically presented single solos since landing in its new space several months ago, but this time, there are two different shows in that long and narrow sales room. The two work well together, though, as both are made up of photographs about…
Year of the Dog (Paramount Vantage) It’s just about the First Commandment of Hollywood: Don’t kill the dog. So it’s a testament to the clout of writer-director Mike White (School of Rock) that killing off the dog is the first of many rules broken in this weird-ass movie. Folks fooled…
Shortly after graduating from film school, I took a part-time job as the assistant to a successful movie and television director who told me I’d be handling a mix of personal and professional responsibilities. Not long after, I was put to work maintaining the good humor of the tenants at…
Masterfully edited and cumulatively walloping, Charles Ferguson’s No End in Sight turns the well-known details of our monstrously bungled Iraq War into an enraging, apocalyptic litany of fuckups. You may have already heard some or all of the absurd, shameful, appalling details that Ferguson collects and still be driven to…
It seems fitting that a movie about debate competition should produce ambivalent feelings. As a master debater says early on in Jeffrey Blitz’s Rocket Science, a strong opinion is a luxury the great ones don’t allow themselves; it only gets in the way. What matters is being able to argue…
Back in 1995, Richard Linklater’s Before Sunrise gave flesh to a Yank’s fantasy of worldly European womanhood: Julie Delpy’s Celine, a sprite who materialized on a passenger train for one sweet Viennese night of courtship and flirtation, as if willed from the fevered dreams above a thousand hostel beds. As…
Eight years ago, the philosophy professor-turned-cineast Bruno Dumont debuted his sophomore feature at the Cannes Film Festival. Set in a banal French village on the northeastern coast, the plot involved an investigation by police superintendent Pharaon, a repressed, mouth-breathing mama’s boy, into the rape and murder of an eleven-year-old girl…
The American Landscape and Carny. Rule Gallery has typically presented single solos since landing in its new space several months ago, but this time, there are two different shows in that long and narrow sales room. The two work well together, though, as both are made up of photographs about…
The Lives of Others (Sony) Florian Henckel von Donnersmarck’s film, easily the best of last year, exists on many levels: as tragedy, dark comedy, and love story — not between a man and a woman, but between two seemingly opposite men bound by the same damnation. On the one hand…
The latest comic meteorite to hurtle forth from the galaxy of producer Judd Apatow, Superbad is about a couple of chronically unpopular best friends who, after four years stuck on the lowest rung of the high-school social ladder, find themselves invited to a legitimately cool party. Goodbye, Friday nights chugging…
It’s impossible to write about David Wain’s The Ten without first making passing reference to Krzysztof Kieslowski’s Dekalog and Monty Python’s The Meaning of Life. The former, originally made for Polish TV twenty years ago and first shown in the United States in 2000, offered a modern-day take on the…
