Amadeus. The Denver Center Theatre Company’s glittering, sumptuous version of Peter Shaffer’s Amadeus focuses more on a clean, elegant delivery of the text than on the passion at the play’s core. The central figure, Antonio Salieri, was the best-known composer of eighteenth-century Vienna, an upright man dedicated to serving his…
Henrik Ibsen’s Hedda Gabler, first published in 1890, is a play about the havoc wrought by an out-of-control woman, a woman who’s torn and driven by impulses she herself cannot understand or control. Hedda combines a certain romantic magnificence — think Shelley and Byron, think Emily Bront’s wild, wild Cathy…
The Denver Center Theatre Company has staged a glittering, sumptuous version of Peter Shaffer’s Amadeus that focuses more on a clean, elegant delivery of the play’s text than on the passion at its core. The central figure, Antonio Salieri, was the best-known composer in eighteenth-century Vienna, an upright man dedicated…
Cabaret. This musical follows a very young English chanteuse by the name of Sally Bowles, who sings in a seedy Berlin nightclub called the Kit Kat Klub in the early 1930s and meets up with an aspiring American novelist — the usual innocent abroad — named Clifford Bradshaw. She’s a…
The Dresser. The year is 1942, and England is at war. A revered but aging actor, identified only as Sir, is traveling the country, bringing Shakespeare to the provinces. To complicate things further, the actor is moving swiftly into dementia. The action begins an hour or two before the curtain…
An animated cartoon by German humorist Walter Moers that’s causing a fair amount of international controversy shows Hitler sitting on the toilet in his bunker as the Allies move in, grumbling that the war isn’t fun anymore, no one’s listening to him, and it’s all Churchill’s fault. Later, wherever he…
Everything that playwright Lisa Loomer says in Living Out about the blindness of the middle class — even the kindest and most liberal-minded among them — to the problems of the people who work for them is true, and desperately needs saying. This is a cruel culture for poor people…
The year is 1942, and England is at war. A revered but aging actor, identified only as Sir, is traveling the country, bringing Shakespeare to the provinces. Given the chaos of the times and the fact that most able-bodied Englishmen are fighting overseas, his is a depleted and ragtag company,…
Shadow Theatre Company’s latest offering, Plenty of Time, is sweet, smart and a lot of fun. Like Bernard Slade’s Same Time Next Year — which author John She’vin Foster admits as an influence — it chronicles a love affair in which the partners meet every year over an extended period…
I Am My Own Wife. The subject of I Am My Own Wife is German transvestite Charlotte von Mahlsdorf, born Lothar Berfelde in 1928 Berlin, a collector of antiques who survived both World War II and the Communist years in East Germany. But the play is as much about author…
When Freyda Thomas’s adaptation of Molire’s Tartuffe was shown at Circle in the Square a decade ago, it received a dismissive review from the New York Times. The seventeenth-century classic is about a religious con man whose false piety ensnares a prominent householder, almost destroying his home and family; translating…
Charity Hope Valentine is a loving and trusting soul, perpetually betrayed by the men she loves but always willing to give her heart again. She works at a dance hall, flirting and dancing for money. Sweet Charity, with a book by Neil Simon and songs by Cy Coleman and Dorothy…
I Am My Own Wife. The subject of I Am My Own Wife is German transvestite Charlotte von Mahlsdorf, born Lothar Berfelde in 1928 Berlin, a collector of antiques who survived both World War II and the Communist years in East Germany. But the play is as much about author…
The action of Hamlet all hinges on an injunction by the ghost of Hamlet’s father, who appears on a bitter cold night to tell the prince he must kill his murderous and usurping uncle. Everything that happens in Something Is Rotten is also set in motion by a ghost –…
There’s quite a bit wrong with Next Stage’s production of The Intelligent Design of Jenny Chow, but what’s wildly — and exactly — right is the group’s choice of a play to open its season, as well as the casting of the protagonist. Author Rolin Jones is now a writer…
The subject of I Am My Own Wife is German transvestite Charlotte von Mahlsdorf, born Lothar Berfelde in 1928 Berlin, a collector of antiques who survived both World War II and the Communist years in East Germany. But the play is as much about author Doug Wright’s relationship with von…
Aldo and Huey are friends. Huey is divorced, and Aldo — who never gained his father’s affection and is unable to sever the link with his overpowering mother — is unmarried. Huey has been behaving oddly since the divorce, wearing poetic, frill-sleeved shirts and unflatteringly tight black pants, mooning around…
Making theater where there has been little or no theater before — the small towns east of Boulder, for example — is an exemplary activity, and finding new plays to produce is doubly so. But the process is also highly risky. It takes thousands of scripts that are so-so, spotty,…
Impulse Theater. Basements and comedy go together like beer and nuts or toddlers and sandboxes. The basement of the Wynkoop Brewing Co., where Impulse Theater performs, is crowded, loud and energetic. Impulse does no prepared skits, nothing but pure improv — which means that what you see changes every night,…
There are certain actors whose name on a cast list gladdens my heart. The presence of any one of them on stage pretty much assures that I’ll have a good evening at the theater, almost regardless of script, direction or supporting cast. These actors are hugely different in terms of…
Impulse Theater. Basements and comedy go together like beer and nuts or toddlers and sandboxes. The basement of the Wynkoop Brewing Co., where Impulse Theater performs, is crowded, loud and energetic. Impulse does no prepared skits, nothing but pure improv — which means that what you see changes every night,…
As I stood in line for the ladies’ room during the intermission of the Colorado Shakespeare Festival’s The Tempest, the woman in line behind me asked me what I thought of the production. I murmured something noncommital. She herself liked all the actors, she told me, except for Prospero. She…
