In Tin Cup, Kevin Costner swaps his swim fins for a three-wood and hits one down the middle of the fairway. Costner has, I think, always come off better playing ordinary guys–the aging bush-leaguer of Bull Durham, the farmer who reconciles with his father’s ghost in Field of Dreams–than stainless-steel…
Kansas City, Robert Altman’s moody valentine to his hometown, unfolds on the eve of an election in 1934, when Boss Tom Pendergast was setting new standards for public corruption in the Midwest, the fleshpots were thriving, and the wide-open city’s famous jazz life was in full swing in the smoky…
By all accounts, Francis Ford Coppola is putting some pretty good wine into the bottle at his vineyard in Napa. Let’s hope so. Because the filmmaking career of one of America’s great directors has now hit the bottom of the barrel, and his future may lie entirely in viniculture. In…
The genteel pleasures of Jane Austen have recently become a familiar commodity to American moviegoers–even if quite a few of them are, like, unaware of it. To wit: The sublime English novelist’s comedy of manners Emma, published in 1816, was the inspiration for last year’s teen smash Clueless, in which…
The exhilarating paradoxes in the new Scottish drugs-and-destruction movie Trainspotting–fast becoming a hip hit on this side of the Atlantic, too–are that it takes as much pleasure in the depth of its nightmares as it does in the sting of its satire, and that its self-wasting junkies manage somehow to…
John Grisham’s legal thrillers are the Big Macs of American publishing–more filler than meat and devoured in alarming numbers by consumers who are not interested in real nourishment. Then the books are dutifully recycled as Hollywood movies–because waste never really goes to waste in pop culture’s digestive tract. The former…
The good news about James Mangold’s Heavy, a gritty, small-budget first feature centering on a shy, fat mama’s boy whose life is wasting away in the kitchen of a dingy bar and grill in upstate New York, is that the place is completely free of space aliens, and Demi Moore…
In Edward Zwick’s Courage Under Fire, the age-old drama of soldiers doing battle gets a treatment-in-depth that is both overdue and welcome. Between the outright flag-wavers of the 1940s in which John Wayne single-handedly defeated the treacherous Japanese and the heart-of-darkness job Hollywood eventually did on the divisive Vietnam War,…
Between comeback kid Eddie Murphy’s lively new take on The Nutty Professor and the unintentional nonsensicality of the sci-fi megahit Independence Day, this has turned into a pretty good summer for movie yuks. For my money, though, the sharpest and funniest comedy of the silly season is Multiplicity, a breakneck…
The lean, windburned sheriff at the heart of John Sayles’s Lone Star descends directly from the classic lawmen of Hollywood’s Old West–quiet loners obsessed with raw justice and denied the comforts of home. But Sayles’s present-day creation, Sam Deeds (Chris Cooper), has a slightly different bale of hay to burn…
In the realm of movies aimed at preteens, there is probably very little this discerning group won’t find dorky. An exception, I say with some trepidation, might be the long-overdue movie version of Harriet the Spy, which is a joint venture of Nickelodeon TV and Paramount Pictures. The late Louise…
The so-called phenomenon in Phenomenon first shows itself when a likable but dim-witted auto mechanic played by John Travolta suddenly starts beating brainy Robert Duvall at chess. A little while later, the ex-dumbbell learns Portuguese in twenty minutes, just in time to save a lost boy’s life. He cleverly engineers…
If the goofballs in Hollywood want to pay Demi Moore 12 million bucks to waggle her butt and flash her chest at a movie camera, so be it. That doesn’t mean we have to reimburse them. Striptease contains two or three minutes of softcore T and A, and that is…
Want to hear a recipe for competing in the summer movie marketplace? First, dig up $80 or $90 million. Add 3,000 (yes, 3,000) special-effects shots depicting stuff like the fiery destruction of the Empire State Building, the U.S. Capitol and the White House, a couple of major air battles between…
The young filmmaker Todd Solondz insists that the unsettling picture of preteen trauma he gives us in his astonishing Welcome to the Dollhouse is not autobiographical–even though Heather Matarazzo, the eleven-year-old actress he cast in the part of a lonely, terrorized seventh-grader, bears a striking physical resemblance to him, and…
The Germans are not exactly the kings of comedy–not in this century–so it’s always a little startling to come across a German film speckled with yuks, even when those yuks are largely about dissolution and death. Case in point: Doris Dorrie’s Nobody Loves Me is a kind of bedroom farce…
Europe’s favorite movie comedian, Roberto Benigni, carries the Buster Keaton chromosome and the Jim Carrey chromosome–joined together in bedroom farce. American audiences know him best as Tom Waits’s talkative cellmate in Jim Jarmusch’s Down By Law, as Johnny Stecchino, or as Inspector Clouseau Jr. in the ill-considered Son of the…
If you decide to catch only one of this summer’s zillion-dollar action movies, make it The Rock. The high-profile Simpson/Bruckheimer production team, Bad Boys director Michael Bay and a battalion of stunt people blow up even more stuff–Humvees, yellow Ferraris, cable cars, a Navy weapons depot, some big chunks of…
If you want to get all star-struck, it’s probably a good idea to aim a little higher than the assorted frauds, mannequins, paralyzed junkies and ten-cent philosophers who drifted into Andy Warhol’s orbit in downtown New York in the late Sixties. At Max’s Kansas City in those days, the signature…
For more than half a century, science-fiction movies have been asking if there’s intelligent life in outer space. The Arrival makes you wonder how much of it is left on Earth. Imagine Charlie Sheen as one Zane Zaminski, a goofy science nerd with a bad crewcut, fogged-up glasses and a…
The silly season is upon us, so the best you can hope for down at the local multiplex these days is silliness with a touch of style, a dash of sense and an absence of tornadoes. Enter Dragonheart, which combines the romance of huge, toothsome beasts with the classic movie…
Mamoru Oshii’s Ghost in the Shell is being billed as Japan’s coming-out party in the world of big-time animation, as well as another visionary take on the future. But before cartoon freaks get too carried away, it might be useful to note that Oshii’s drawing style can be stiff, cold…
