Consider life’s unbreakable rules: Send Mom flowers on her birthday. Keep your fastball down. Never order lasagna in Des Moines. Don’t go sailing with people you can’t stand. Violation of this last rule has yielded some pretty fair books and movies over the years — Moby Dick and The Caine…
Now, here’s an innovative narrative: Two shticky goofs of different races get stuck with a ridiculous mission and must overcome their mutual antagonism to save the day. Been there? Done that? You bet! Yet somehow, amazingly, the new I Spy dishes out fresh and funny antics while simultaneously spewing forth…
If you’re a fan of the baseball-cap-wearin’, Nader-votin’, muckrakin’, best-sellin’, corporation-confrontin’ son of a gun known as Michael Moore, all you need to know about his latest film, Bowling for Columbine is that it’s more of the same. You know: the mix of easy humor, political potshots, attempts (some successful,…
For American moviegoers with a blood lust for organized crime, the Boss of all Bosses has long been named Corleone. Is it Vito? Or Michael? That’s a matter of personal preference. In any event, so beloved and enduring are the Godfather films — the first and second, anyway — that…
Punch-Drunk Love is a Paul Thomas Anderson film — Paul Thomas Anderson of Magnolia and Boogie Nights fame. It is also an Adam Sandler film — Adam Sandler of Little Nicky and The Wedding Singer fame. In terms of story, it has far more in common with Sandler’s previous work…
As pharmacologist Elmo McElroy in Formula 51, Samuel L. Jackson initially sports a seriously silly fake Afro along with hippie-dippy threads that make him look like some sort of flower-power cult leader. When next we see him, it’s thirty years later, and he’s got cornrows and is inexplicably wearing a…
Death is too often taken literally, and this unfortunate perspective is sustained by much cinema, despite the medium’s dubious kiss of immortality. There’s easy drama in tragedy and grisly ends, but moviemakers don’t often successfully deliver symbolic death, the subtly grim yet vital bridge between lively verses. Happily, director George…
Wear something silver. The 25th Starz Denver International Film Festival starts Thursday night at the Buell Theatre with White Oleander, Peter Kosminsky’s study of a girl’s harrowing journey through a series of L.A. foster homes; it will close ten days later at the Buell Theatre with Bowling for Columbine, political…
For more than two decades, Ron Henderson has been the heart and soul of the Denver International Film Festival — shepherd and shill, house philosopher and dogged troubleshooter. A publicity volunteer in year one and the festival’s director since 1981, he’s coaxed cash out of tight-fisted bankers, discovered cinematic masterpieces…
Good Lord, there hasn’t been this much yellow hair on screen since the Von Trapp children sang and danced their way across the Alps in The Sound of Music. The fact that these latest golden locks belong to the likes of Michelle Pfeiffer, Robin Wright Penn and Renée Zellweger suggests…
I might as well just come out and say it: Spirited Away is the best movie I’ve seen all year. Though it would be a masterpiece in any language, Hayao Miyazaki’s animated spectacular (and Japan’s highest-grossing film ever) is being released by Disney in two versions simultaneously: one in the…
Ordinarily it would seem somewhat odious to put so fine a point on this, but what the hey: Gather up your gay friends, because here’s a movie they’re going to dig, dig, dig. Well, probably, anyway. That general demographic seems to be the target audience of the radical, whimsical French…
Whatever white America doesn’t know — or refuses to acknowledge — about the grim realities of life on the nation’s Indian reservations has been coming to light through a growing body of Native American writing and the long-overdue emergence of films shot on location in Indian country, using largely indigenous…
Chris Smith’s brief but thoroughly entertaining Home Movie carries on a grand tradition of American documentary: seeking out the eccentrics and contrarians among us. In the space of an hour, Smith provides glimpses of five U.S. houses and their owners, and — thank goodness — his whirlwind tour is less…
For most of us living west of New Brunswick and south of Saskatchewan, Canadian humor and curling are both acquired tastes. But that hasn’t stopped the Calgary-born actor, writer and director Paul Gross and Artisan Entertainment from releasing an odd duck of a movie called Men With Brooms in such…
Among the more preposterous rumors spread by Harry Knowles (whose Ain’t It Cool News movie-biz-gossip Web site garners undue attention from studios too craven to do their own thinking) was one from the year’s beginning: Terrence Malick, Knowles “reported,” was working on an adaptation of The Catcher in the Rye…
For those with any kind of pop-culture memory, it’s more than a little surprising to see Ice Cube in a movie like Barbershop. Not because it’s a light comedy — Friday was, too, and that was certainly in character. What’s odd about Barbershop is its seeming embrace of positions that…
Since average folk can’t often afford to fly to Paris (unless they live, say, in Lyon), 93-year-old Portuguese director Manoel de Oliveira offers some consolation in the form of I¹m Going Home (Je Rentre à la Maison). Shot more than two years ago, it’s a seemingly sweet and deceptively simple…
Like Clint Eastwood, Robert De Niro is one of those guys who can make just about any material inherently enjoyable. Also like Clint, he will sometimes make you wish he’d pick roles that are a little more challenging. His recent record of relatively disposable films speaks for itself: Tough-yet-sensitive cop…
Iranian films that make it to American shores generally fall into two categories: sensitive dramas featuring young children, à la The White Balloon and Children of Heaven, or pointed political statements about the plight of women, such as The Circle and The Day I Became a Woman. Secret Ballot is…
Any young movie director seeking to make a mark in the underworld gravitates to certain conventions of the crime genre. Major bloodletting is a must. It doesn’t hurt to stage a power struggle between an established mob boss and his overly ambitious protégé, preferably with undertones of Greek tragedy. There…
When Robin Williams was America’s favorite funnyman in films like Mrs. Doubtfire, it always felt a little strange admitting that the guy seemed kinda creepy. When he “got serious” in irritating tearjerkers such as Hook and What Dreams May Come, it was certainly in vogue to proclaim him annoying, but…
