In the new Jim Carrey farce, Me, Myself & Irene, the rubber-faced comedian plays a meek Rhode Island state trooper named Charlie whose aggressions are so pent-up that they finally have to break out in the form of a second personality called “Hank.” Where Charlie silently endures potty-mouthed curses from…
Istvan Szabo’s Sunshine, which he’s directed in English, aspires to epic sweep and Tolstoyan grandeur. It runs almost three hours. But there’s still a breathless, hurried quality that doesn’t suit its many tangled dramas very well. The impeccably literate Hungarian director (best known in the United States for his 1981…
About nine years ago, in a humble nightclub, urbane British folk singer Billy Bragg reappraised twentieth-century politics — as is often his Socialist wont — by means of an intriguing correlation. Might it be, he postulated, that contemporaries Leon Trotsky and Harlan Sanders were not merely striking doppelgangers, but, in…
Before we see anything in Croupier, the new film from director Mike Hodges and screenwriter Paul Mayersberg, we hear the grainy whir of the ball spinning around the rim of a roulette wheel. When the image of the wheel appears, the sound drops out, to be replaced by the affectless…
The title of the 1971 Gordon Parks detective movie Shaft worked as a double entendre; when it presented Richard Roundtree’s “black private dick,” John Shaft, as a superstud at whom women of every race threw themselves, it wasn’t hard to believe. The joke changes when the name is given to…
Kikujiro, the latest release from Japanese filmmaker Takeshi Kitano, will likely come as a surprise to his American fans — possibly even a disappointment — if they walk in unprepared. But in fact, the movie is altogether worthwhile, so just get yourselves prepared. Kitano initially attracted attention when his first…
It’s the year 3028, and man…is an endangered species! (Haven’t we heard that before — like, just last month?) This time around, though, the threat is a little more intimidating than those effeminate, Xenu-worshiping Conehead psychologists in platform boots. The villains in Fox’s new animated spectacular Titan A.E. are the…
Literary critics often call Hamlet “the first modern man” because he’s preoccupied with the nature of self and the consequences of action. But in a spellbinding new take on Shakespeare’s great tragedy by independent filmmaker Michael Almereyda, the melancholy prince also takes on the trappings and attitudes of postmodern man…
How does a film critic — or any film viewer — come to terms with Matthew Barney’s Cremaster films? The thirty-something Yale graduate has apparently been a major figure in the New York art scene for nearly a decade. I say “apparently,” because my aversion to the New York art…
Apart from mass cultural annihilation, Beatniks, Hee Haw, some dumbass sports and the freak shows of Boulder, most pop-culture trends are not homegrown, but imported to America after prolonged cultivation overseas. Take that novelty food tofu, for instance, dubbed le curd du soy by uncredited Belgian sailors exploring China centuries…
The moody, feverish images that fill Running Free are so exquisite they almost make up for the film’s disastrous auditory misstep: the decision to cast Lukas Haas as the voice of Lucky, the chestnut foal that narrates this unusual adventure story. A cross between Nicholas Roeg’s Walkabout and Jean-Jacques Annaud’s…
“Industrial-strength boredom” is a vicious term to unload on anybody — friend, foe or former actress. Considering the lingering discomfort the epithet inspires, you should be wary of its impact, even around a seemingly invulnerable producer returning to the screen to melt our hearts in yet another variation on the…
Early on in Mission: Impossible 2 (or M:I-2, as the confident Paramount now calls it), hero Ethan Hunt (Tom Cruise) complains to his boss about his new assignment: “It’s going to be difficult. It’s not mission difficult, Mr. Hunt,” the boss icily replies, “It’s mission impossible. “Difficult’ should be a…
Brazilian moviemaker Bruno Barreto clearly has a taste for changing gears. In fact-based political thrillers like A Show of Force and Four Days in September, he casts himself as a second-string Costa-Gavras, rooting out state-sanctioned evil and the indiscretions of starry-eyed South American radicals. In his recent Hollywood period, Barreto…
Do not judge Shanghai Noon by its trailer, which serves as the very antithesis of advertising: It begs you to stay far away from any theater showing this film. Laden with dreary sight gags (a horse that stays by sitting…just like a dog) and woeful puns (“Your name is John…
Dinosaurs used to be cool. In 1969, if you had asked me what was the best movie ever made, my answer would likely have been The Valley of Gwangi, in which a group of cowboys in the Mexican desert find a gully full of leftover dinosaurs animated by Ray Harryhausen…
Road Trip makes American Pie look like Fast Times at Ridgemont High, Fast Times like Animal House, and Animal House like Citizen Kane. It ranks (indeed, it is rank) among the most soul-deadening movies ever made; it has no pulse and seeks to steal yours with a cynical vengeance. Oh,…
Woody Allen is back on screen in Small Time Crooks, a bittersweet comedy that in many ways could have been lifted straight from the ’30s. For the most part, it’s Woody Allen Lite — but that’s not a bad thing. While you don’t want to penalize Allen for his serious…
When stars get popular enough (or win enough Oscars), they get to call their own shots. Thus we have The Big Kahuna, the debut release of Kevin Spacey’s production company. Kahuna also marks the film debut of stage director John Swanbeck and screenwriter Roger Rueff — and, boy, can you…
Digital video is poised to become a major factor in commercial filmmaking, and Time Code, the new feature from Mike Figgis (Leaving Las Vegas), could be used as a commercial for the process, which is its greatest point of interest. The movie is not so much an intriguing story as…
Given that most film studios have multimillion-dollar marketing budgets with which to target eighteen- to 25-year-olds, it’s astonishing how little they seem to know about the everyday life of those they’re supposed to be studying. Drew Barrymore has never been kissed? Please. Rachel Leigh Cook undatable until Freddie Prinze Jr…
The highfalutin’ soap opera in W. Somerset Maugham’s fiction earned him a huge reading public in his day and made him a favorite of movie producers on both sides of the Atlantic. Maugham’s stories and novels — every one stuffed full of romance, deceit and tragedy — have inspired nearly…
