With Panic Room, about the night Meg Altman (Jodie Foster) and her teenage daughter Sarah (Kristen Stewart) are home-invaded by a trio of burglars seeking hidden treasure, dyspeptic director David Fincher reveals himself as little more than a derivative visionary. For some, this will be plenty enough: As mainstream, studio-financed…
It’s readily apparent that Danny DeVito’s Death to Smoochy deals with a thoroughly debauched children’s television host (Robin Williams) who plots, amid much dark zaniness, to destroy his squeaky-clean successor (Edward Norton). It’s also quite easy to proclaim it the greatest movie ever made…about a singing vegan in a fuchsia…
One of the fun things about the media is that many people who work in it lie almost constantly, creating a social minefield that keeps everybody hoppin’. For instance, take the big studios (please). Sometimes we call them up and say, “Hiya, we noticed that you have a major motion…
Looking at the original Blade now, it’s not as impressive as it seemed at the time; its hugely positive reception among the comic-book crowd may have been simply because it didn’t suck. It came out before The Matrix brought Hong Kong-style wires and trenchcoats to the world’s attention, and also…
Kissing Jessica Stein ends several times — a likely explanation of why a film with so short a running time, 94 minutes, feels as though it lasts much longer — and each conclusion satisfies; each feels real, natural and, best of all, inevitable. That is, except for the actual finale,…
Ice Age poses a heretofore unfathomable question: Is it possible for computer-generated characters to go through the motions? Everything about this endeavor — from 20th Century Fox, playing cartoon catch-up after 2000’s Titan A.E., which seemed to be stolen from Saturday-morning television — feels pilfered and stitched together. There’s not…
Science fiction can wow us with gadgetry, but only the truly ambitious stuff lights up our imaginations with disturbing and unshakable aberrations, be they incredible shrinking men, fifty-foot women or Sting’s winged panties from Dune. Within this vast genre, it figures that the ultimate human construct — time — proves…
Cell phones and silk saris, dot-coms and arranged marriages — Monsoon Wedding, the latest film from Indian-born director Mira Nair (Salaam Bombay!, Mississippi Masala) captures the heady mix of old and new, rich and poor, traditional and modern that defines contemporary India. A sort of Father of the Bride set…
If We Were Soldiers smells at all familiar, perhaps you’re confusing it with the stench emanating from a nearby theater screening Black Hawk Down. After all, on their shiny blood-drenched surfaces, they’re damned near the same movie: Both are based on books that recount real-life battles that claimed the lives…
For an industry notorious for its test screenings, focus groups and obsession with what will play best in the heartland, the movie business occasionally and spectacularly drops the ball with respect to its mainstream entertainment. Last year, someone decided what the public most wanted to see was America’s Sweethearts, a…
Over the last half-century, countless filmmakers great and obscure have stood in serious debt to The Bicycle Thief. But for my money, no one has borrowed so cleverly or shifted the weight of Vittorio De Sica’s 1948 masterpiece so gracefully as young Wang Xiaoshuai, whose Beijing Bicycle embodies the spirit…
To call a movie the most accessible film ever made by the Dogme 95 group is not merely damning with faint praise. It also threatens to alienate the two segments of the population who might consider going to see such a film in the first place: fans of the back-to-basics,…
After a long absence from American screens, British stage director Richard Eyre, best known for his agreeably nasty The Ploughman’s Lunch in 1982, makes his return with an alternately depressing and uplifting drama about Dame Iris Murdoch’s descent into Alzheimer’s disease and the heroic efforts of her husband, John Bayley,…
Hart’s War is little more than a movie about the movies, which is the case with most mediocre films. Set in a POW camp during the final months of World War II, it owes much of its existence to far superior films, mainly La Grande Illusion, Stalag 17 and The…
If they teach the work of Todd Solondz someday, assuming he’s not already in the curriculum somewhere, the lectures are bound to be rather short. To grasp the material without actually attending, just bone up on a little bargain-basement Freud, a whiff of primal therapy and a sprinkle of Jerry…
In case the season has you feeling shamefully joyous, here’s a stark little oasis of misery to remind you that America sometimes sucks and its denizens aren’t all heroes. Featuring painstaking attention to the copious warts of this big, proud country, Monster¹s Ball moseys down South to issue the staggering…
Those who spend Sunday morning in church — or every morning watching The 700 Club — will likely embrace the new Welsh film Taliesin Jones as an affirmation of Christian faith. Agnostics, drunkards and horse players will probably see it as evangelical propaganda. Never the twain shall meet. By any…
It’s astonishing just how open Screen Gems has been about showing Slackers to the reviewing press well in advance of deadlines. Dim, youth-oriented sex comedies like this often slip into theaters under cover of darkness. Not that critical appraisal really matters to such films; if it did, Freddie Prinze Jr…
Ray Lawrence’s Lantana is high-toned Australian soap opera, which is to say that its philandering police detective and its grief-stricken psychoanalyst are a bit quirkier than their all-too-familiar televised counterparts. Its unhappy wives, gloomy husbands and alienated teenagers are more carefully constructed than similar characters in less ambitious movies. This…
All of those war epics the big movie studios have rushed into release are certainly meant to reflect the present national mood, and if We Were Soldiers or Behind Enemy Lines or Black Hawk Down also happen to strike it rich, that will be fine with the box-office bean counters…
Ridley Scott’s Black Hawk Down — based on reporter Mark Bowden’s factual account of a 1993 U.S. Army operation gone dreadfully awry in Somalia — doesn’t just kick your ass. It pummels your entire body; it leaves you trembling. Once the premise and setting are established, this brutal combat adventure…
It would be easy and tempting to hail Kandahar as a masterpiece without even seeing it: It’s a foreign film; it takes on social issues; it’s directed by Iranian master Mohsen Makhmalbaf; it speaks to the causes of our war on terror and first hit U.S. shores right as the…
