The agony and the ecstasy of Ray Charles’s long journey cry out for a grittier, more direct movie than Taylor Hackford’s Ray — a movie that’s less processed and less outwardly opulent than this one. For much of these two hours and forty minutes, there’s almost no stylistic syncopation, aural…
Margo Channing cracked wiser. And her devious protegé cooked up better schemes to steal the limelight. Still, half a century after they lit up the screen, the principals in All About Eve would probably get a charge out of Being Julia. This bittersweet backstage drama skillfully combines — as all…
How does Mike Leigh do it? The years pass; film fashions come and go; Hollywood churns its commercial pap. Careers sparkle; others fizz; whom the gods would destroy, they first make famous. Meanwhile, over in England, Leigh makes his films, tracking the intricacies of the lower-class family with the patience…
It takes mighty big stones to name your horror movie Saw, knowing full well that that’s popular fan-slang for Tobe Hooper’s Texas Chainsaw Massacre, a movie worshiped by gorehounds worldwide. When you take that name for your own, you had damn well better deliver a memorable, worthy contender to the…
The late Polish filmmaker Krzysztof Kieslowski was an artist of sublime gift and burning conscience. His peerless series of meditations on the Ten Commandments, The Decalogue, will endure for as long as we remember movies; the sum of his work is as compelling as that of any director of the…
Ansel Adams Edwin Land and The Persistence of Myth and Tragedy. At the Colorado Springs Fine Arts Center, two legendary figures from the history of photography have been brought together in Ansel Adams Edwin Land: Art, Science, and Invention: Photographs From the Polaroid Collection. In the ’60s, Adams was invited…
The Grudge bears the imprimatur of Sam Raimi, but, alas, neither his sense of fun nor his smarts. The wunderkind director behind the Spider-Man and Evil Dead franchises has followed in the path of Robert Zemeckis and Joel Silver’s Dark Castle Entertainment releases, launching his own lucrative spook factory, Ghost…
Let’s just get the term out of the way up front: It’s “fag hag” — and a thousand pardons, sensitive readers, but there is no PC equivalent. The new film Stage Beauty is an absolute fag-hag fiesta. Beneath its historical leanings and classic veneer, it’s utterly gaga for girls who…
In the mood for a double dose of low-camp spine-tingle? The Denver Art Museum’s Monster Chiller Horror Theater series will unspool an unashamedly low-budget, high-entertainment-value double feature early next week, just in time for Halloween. British director Arthur Crabtree’s Fiend Without a Face (1958) has a suitably ghoulish title, for…
Ansel Adams Edwin Land and Persistence of Myth and Tragedy. At the Colorado Springs Fine Arts Center, two legendary figures from the history of photography have been brought together in Ansel Adams Edwin Land: Art, Science, and Invention: Photographs From the Polaroid Collection. In the ’60s, Adams was invited by…
Don’t expect Trey Parker and Matt Stone to come at you with little scalpels. Or clever bons mots. The creators of South Park go in for brute, double-barreled-shotgun satire, and anyone who doesn’t feel like being blasted should probably get out of the country — or off the planet. In…
The Czech drama Zelary brings to mind Bertolt Brecht’s pointed observation, “War is like love; it always finds a way.” In this instance, war creates the atmosphere in which an unlikely love flourishes, then overwhelms that love. Only a fool would try to improve on Brecht, but after absorbing Ondrej…
Maybe it’s the mark of a great film that it can affect an audience member even when he sleeps through the entire thing. Such was the case with my father at a recent preview of David O. Russell’s I ♥ Huckabees, a philosophy lecture masquerading as a comedy, in which…
It would be so easy to titter and scoff at Shall We Dance?, a Miramaxed-out version of the 1996 Japanese film of the same name, which told of a bored businessman who is reinvigorated after a few dozen dance lessons. This version, with its cast of glow-in-the-dark movie stars and…
The appeal of a quirky little Norwegian film called Kitchen Stories, released earlier this year and largely ignored on this side of the Atlantic, arises from an unlikely source: a series of domestic studies conducted in the 1950s by a group of Swedish efficiency experts. Eighteen observers, perched up in…
Ansel Adams Edwin Land and Persistence of Myth and Tragedy. At the Colorado Springs Fine Arts Center, two legendary figures from the history of photography have been brought together in Ansel Adams Edwin Land: Art, Science, and Invention: Photographs From the Polaroid Collection. In the ’60s, Adams was invited by…
Rare is the film that caters to fans of rabbits, motorcycles, Gordon Lightfoot and fellatio, but now, thanks entirely to Vincent Gallo, we’ve got that demographic nailed. With The Brown Bunny, the cinematic enfant terrible who gave us the awful pleasures of Buffalo ’66 returns, but don’t expect a retread…
There are at least three movies contained within the covers of H.G. Bissinger’s best-selling 1990 non-fiction book Friday Night Lights. One is concerned with the socioeconomic life of a small West Texas town built on the wobbly foundations of oil and racism and the out-of-whack worship of a high school…
Forget the presidential debates and the carnage in Fallujah. If you want to see real bloodletting, fall by the Esquire Saturday night to catch The Texas Chain Saw Massacre. This is the gruesome cult favorite in which five young innocents who have wandered into the wrong part of rural Texas…
Ansel Adams Edwin Land and Persistence of Myth and Tragedy. At the Colorado Springs Fine Arts Center, two legendary figures from the history of photography have been brought together in Ansel Adams Edwin Land: Art, Science, and Invention: Photographs From the Polaroid Collection. In the ’60s, Adams was invited by…
It was only a matter of time before Hollywood capitalized on the sympathy and admiration that have enveloped the nation’s firefighters since 9/11, and here we are. Jay Russell’s action-packed, flame-broiled Ladder 49 is an all-out valentine to the firehouse fraternity; it might never have gotten to the screen were…
Revolutionary idolatry is an odd business. Just ask unruly pop singer Stew, of the unruly pop group the Negro Problem. On his Naked Dutch Painter album, the melodic rebel dares to challenge a very sacred image. “Don’t you wish there was, like, another picture of Ché Guevara?” he inquires. “Like,…
