ANGST. Though unified by the title ANGST, this duet put together by Lisbeth Neergaard Kohloff at the Colorado Photographic Arts Center is actually a pair of freestanding solos: IMAGING ACROPHOBIA and NIGHTWALK. IMAGING ACROPHOBIA is Colorado photographer Andrew Beckham’s exploration of his fear of heights in a series of large-scale…
By all accounts, the only living creatures who’ve never taken in a stage production of The Phantom of the Opera are Osama bin Laden and Uncle Elmer’s deaf hound dog, Bart — which means that everyone else on the planet has an opinion about how Joel Schumacher’s zillion-dollar movie version…
The parade of real-life figures strolling into the googolplex has been endless this year: Look, there’s Jamie Foxx as musical Mount Rushmore Ray Charles; Johnny Depp as Peter Pan author J.M. Barrie; Kevin Spacey as forgotten teeny-popper Bobby Darin; Liam Neeson as sexologist Alfred Kinsey; Kevin Kline as standards composer…
When your movie gets riotous laughter from endless utterances of the word “Focker,” it doesn’t have to try very hard. So it’s no surprise that much of Meet the Fockers, the inevitable sequel to the 2000 hit Meet the Parents, barely breaks a sweat. When in doubt, after all, just…
“I know why I hate integrity,” moans Jeremy Irons late in Callas Forever. “It’s great for the person who has it; it’s pure hell for those around it.” Indeed. As tacky, ponytailed impresario Larry Kelly, Irons makes for one seriously deranged philosopher, but his dedication to the late opera legend…
The critic who takes notes during The Life Aquatic With Steve Zissou will ultimately fill a notepad only with scribbled details: “All the crewmen wear red stocking caps with their tuxedos”; “Some names of Zissou’s movies: The Battling Eels of Antibes, Shadow Creatures of the Lurisia Archipelago, Island Cats!”; “One…
Released in 1960, La Dolce Vita is the film that gave currency to the term “Fellini-esque” — and a name to a lot of lousy Italian restaurants in the rural Midwest. The most famous and most accessible of Federico Fellini’s works, it’s a heady mixture of Catholic iconography and sexual…
ANGST. Though unified by the title ANGST, this duet put together by Lisbeth Neergaard Kohloff at the Colorado Photographic Arts Center is actually a pair of freestanding solos: IMAGING ACROPHOBIA and NIGHTWALK. IMAGING ACROPHOBIA is Colorado photographer Andrew Beckham’s exploration of his fear of heights in a series of large-scale…
In Spanglish, which is less a story than a snapshot of a crumbling marriage populated by sitcom characters, Adam Sandler plays John Clasky, an average man with an above-average life. With his burgeoning double chin always covered in a slight shadow of stubble, he’s a celebrated chef who runs his…
This much can be said for the movie version of Lemony Snicket’s A Series of Unfortunate Events: Its villain, Count Olaf, just might be Jim Carrey’s finest screen role. A bitter, would-be master thespian who delights in donning ridiculous disguises and adopting funny accents, he doesn’t seem that far removed…
The story is simple enough: Sometime during the dying days of the Tang Dynasty in China, though it could really be any time and any place, two cops named Leo (Andy Lau) and Jin (Takeshi Kaneshiro) sit in a station house drinking tea. They decide that one of them will…
Catherine Breillat’s Sex Is Comedy could serve as a companion piece to a pair of earlier French movies about making movies — Franois Truffaut’s enduring valentine Day for Night and the entertaining 2001 farce My Wife Is an Actress. But Breillat, who most recently gave us a scorching glimpse into…
Anxiety and Desire. Clare Cornell, assistant professor of digital imaging at the Metropolitan State College of Denver, put together Anxiety and Desire, an exhibit of photo-based pieces that address psychological concepts. He included work from an array of artists from around the country, each working in their own ways, though…
If you’ve already decided to see Ocean’s Twelve, it’s probably best not to read much about it. Unlike its predecessor, a remake that clung to a hoary heist formula, the sequel contains ample pleasures, most of which amuse as the result of surprises both great and small. There’s no one…
Mark Brian Smith and Tony Montana’s fascinating documentary Overnight is a kind of instructional video about how to fail in showbiz. Actually, that’s putting it too gently. It’s really about willful self-immolation, about letting raw ego and crazy delusion run amok, about driving friends and family into storms of rage…
Those familiar with the films of David Gordon Green (George Washington, All the Real Girls) probably have one big question about his latest feature, Undertow: Is there more of a story this time? The answer isŠsort of. Green, who favors meditative, meandering portraits and is often compared to Terrence Malick…
They walk among us. They resemble people, approximate our words and actions, present themselves more or less as human. And yet they are more — a different species, with their own dark legends, their own clandestine meeting places. They are dorks, and they are going to be pretty okay with…
All right, all right. It’s well established that White Christmas (1954) wasn’t nearly as good as its model, Holiday Inn, and never will be. Bing Crosby, Danny Kaye and Vera-Ellen were more energetic and appealing in other musicals, where the plots weren’t so thin and the dancing was better. And,…
Anxiety and Desire. Clare Cornell, assistant professor of digital imaging at the Metropolitan State College of Denver, put together Anxiety and Desire, an exhibit of photo-based pieces that address psychological concepts. He included work from an array of artists from around the country, each working in their own ways, though…
The new Mike Nichols film, Closer, is a boiling pot of lust, mistrust and double-dealing that we might take for outright soap opera or, in quite a few places, soft-core porn, were it not for the sophisticated gleam of its well-heeled London desperadoes and the vicious dazzle of its dialogue…
Movies pushing the indomitablity of human nature tend to make me want to puke, mainly because they’re often created with a palpable self-congratulatory air by film-biz insiders whose real-life concept of “suffering” extends to being brought an incorrectly prepared frappuccino. This emetic response is doubled when the featured indomitable human…
One of the most compelling films of 2004, first-time indie director Joshua Marston’s Maria Full of Grace is a drug movie that has no machine guns and no car chases, just an unforgettable portrait of a sixteen-year-old Colombian girl (played by the extraordinary Catalina Sandino Moreno) forced by circumstance to…
