No, the Virgin Mary doesn’t get high on aerosol fumes, and Joseph doesn’t ride in on a skateboard, but in most other respects, The Nativity Story is less of a departure for Thirteen and Lords of Dogtown director Catherine Hardwicke than you might imagine. From the first glimpse of Nazareth…
Do artists actually see more than ordinary people? That’s what my high-school art teacher thought. So, apparently, does Nicole Kidman — or at least that’s the way she plays Diane Arbus (1923-71) in the celebrated photographer’s exceedingly curious “imaginary portrait,” Fur. Kidman acted around a prosthetic proboscis to win an…
Breaking the Mold. In 2003, Connecticut collector Virginia Vogel Mattern donated some 300 pieces of contemporary American Indian art to the Denver Art Museum. For one of the special shows inaugurating the new Frederic C. Hamilton Building, Native Arts curator Nancy Blomberg has selected over a hundred works for the…
Superman II: The Richard Donner Cut (Warner Bros.) At long last, Richard Donner’s much-whispered-about “original version” of Superman II sees the light of day, and it quickly joins the ranks of the reconstructed Touch of Evil, Apocalypse Now, and Blade Runner as films made superior in the recutting and retelling…
Okay, so Jerry Bruckheimer and Tony Scott were asking for it by naming their latest mega-production Déjà Vu. These dudes aren’t exactly paragons of innovation, unless taking rhetorical hysteria to awesome new heights counts. As the opening credits roll — by which of course I mean roll, zip, flicker, fade,…
The first few minutes of Tenacious D in “The Pick of Destiny” are something to behold: a four-minute rock opera cranked to eleven. A doughy young boy with dirty-mop locks (Nacho Libre’s Troy Gentile, once more playing li’l Jack Black) laments his tragic plight: He’s stuck in Kickapoo with “a…
Solemn, flashy and flabbergasting, The Fountain — adapted by Darren Aronofsky from his own graphic novel — should really be called “The Shpritz.” The premise is lachrymose, the sets are clammy and the metaphysics all wet. The screen is awash in spiraling nebulae and misty points of light, with the…
For progressives lifted, however temporarily, by the swell of a turning tide, Bobby can be seen clearly for what it is — an Airport movie with the assassination of Robert F. Kennedy as the central calamity and an all-star cast deployed like multiple George Kennedys. Juggling some 22 main characters…
The nifty premise of Unknown owes a large debt of gratitude to the twin brain-teasers Memento and The Usual Suspects, but first-time screenwriter Matthew Waynee and music-video/commercial director Simon Brand will need a tad more experience before achieving the atmospheric intensity or narrative dexterity of those two films. Five battered…
Colorado Classic Architects, et al. Many of the finest buildings in town were done by firms with offices right here in the Mile High City, and they’re the subject of Colorado Classic Architects, a handsome and informative exhibit in the Western Art Gallery on the fifth floor of the Denver…
An Inconvenient Truth (Paramount) This isn’t exactly the kind of DVD you buy to watch again and again; the ending doesn’t get happier, and there are no twists to decipher with repeated viewings. The producers hope instead that you buy it and share it; it’s less movie, after all, than…
By all rights, 2002’s Die Another Day should have been the final James Bond film. It was packaged like a cynical best-of concert coughed up by an aging dinosaur and offered no new material of consequence. Yet here we are at the franchise’s very beginning with the third attempt to…
Fast Food Nation, directed by Richard Linklater from Eric Schlosser’s 2001 best-selling exposé of the McDonald’s conspiracy, is an anti-commercial. It’s designed to kill desire and deprogram the viewer’s appetite, but one might wish that his movie had honed its satiric edge. Still, as blunt as Fast Food Nation is,…
When a red-blooded, macho, flag-waving, Bush-voting American country-music fan looks at a gorgeous blonde who also happens to make his kind of music, one doesn’t normally expect him to pay particular attention to the actual substance of her conversation. Dixie Chicks lead singer Natalie Maines didn’t think anyone would either,…
Having animals act like humans on film is a storytelling device as old as time, so maybe it’s a little unfair to get tired of it just now. But back in the day, wise old owls didn’t sing “Boogie Wonderland.” And whereas we used to give animals human souls, now…
For Your Consideration pulls off the neat trick of skewering the movie industry while remaking it in its own image. The latest ensemble comedy by Christopher Guest and company may take place in Los Angeles, but its imaginative provenance lies somewhere between the La La Lands of Entourage and Mulholland…
The Denver International Film Festival continues through this weekend with the much-anticipated screening of Heath Ledger’s new flick, Candy, on Friday, November 17, at 9:30 p.m., and Saturday, November 18, at 9:45 p.m. Ledger and Abbie Cornish play unbelievably gorgeous heroin junkies in this don’t-try-it-at-home melodrama adapted from Australian author…
Breaking the Mold. In 2003, Connecticut collector Virginia Vogel Mattern donated some 300 pieces of contemporary American Indian art to the Denver Art Museum. For one of the special shows inaugurating the new Frederic C. Hamilton Building, Native Arts curator Nancy Blomberg has selected over a hundred works for the…
Forbidden Planet (Warner Bros.) Long available as faded discount product, Fred McLeod Wilcox’s 1956 masterpiece — the movie without which Star Trek, Star Wars, 2001, and, oh, Lost in Space wouldn’t exist — at last gets its proper due; this double-disc collection comes with everything but stardust and rocket fuel…
It’s getting harder and harder for Denver audiences to see their hometown hero and Last Comic Standing winner Josh Blue, as he’s booked solid through June 2007, headlining rooms all over the nation. Sure, those glued to the city’s comedy scene can catch him every now and again when he…
Time perhaps scrambling it’s for Alejandro Gonzalez Iñarritu to stop his narratives. After making an exciting debut in 2000 with Amores Perros — a movie whose gimmicky Tarantino-esque tinkering with structure seemed fresher en español and grounded in gritty Mexico City location shooting — Gonzalez Iñarritu apparently decided to devote…
Pity Max Skinner, emasculated over his lamb chops. On a gray afternoon, at London’s hotspot du jour, his gloating superior unveils a plot to poach his most lucrative client, divesting him of a six-figure (pounds sterling) bonus in the process. Fuck it. The bummed-out bond trader hands in a resignation…
